In Dessau, the school becomes architecture: workshops, studios and shared life organized for collaboration and production.

• Designed by Walter Gropius as a functional complex
• Workshops and interiors developed inside the Bauhaus itself
• Teaching becomes readable in space: movement, light, and workflow

Not villas, but prototypes of modern living: daily routines, interiors and artistic thinking aligned with Bauhaus method.

• Director’s House and semi-detached houses by Walter Gropius
• Associated with figures like Kandinsky, Klee, Moholy-Nagy, Feininger, Muche, Schlemmer
• Interior color concepts and furnishings become part of the work

The Dessau chapter is read through originals: prototypes, documents and material culture that reveal how the system worked.

• Home of the Stiftung Bauhaus Dessau collection display
• Focus on process: experiments, standards, and everyday objects
• Contextual framing rather than nostalgia

Here, modern design is not a lecture — it is a social setting: terrace, rhythm, signage, and atmosphere for daily use.

• Designed by Carl Fieger (Bauhaus context), 1929–30
• Public leisure as a design problem
• Modernism becomes hospitality: light, views, and structure

A Bauhaus logic applied to the city: workflows, waiting, guidance — designed as a legible system rather than ornament.

• Competition-winning design by Walter Gropius (with Carl Fieger in his office)
• Public-facing functions organized for efficient circulation
• Modernism as civic infrastructure

The shift is visible: from the single experiment to scalable housing logic — rational, collective and socially oriented.

• Designed under Hannes Meyer with the Bauhaus building department
• Gallery access as spatial efficiency
• Architecture tuned to “need” rather than luxury

This is Bauhaus thinking at scale: modularity, speed and cost — housing as an industrial process with human consequences.

• Planned and built by Walter Gropius’ office as a trial estate
• Standardization as a response to housing shortage
• Urban infrastructure becomes part of the modern image

The ambition is clear: build faster, lighter, and with repeatable parts — a laboratory for modern production methods.

• Developed by Georg Muche and Richard Paulick
• Prototype logic: industrial panels and assembly thinking
• A Bauhaus “test house” inside a real housing context

Dessau is not only buildings — it is a civic rhythm. Theater makes the social dimension visible: gathering, emotion, and form.

• Mehrspartentheater: drama, music theater, ballet, concerts
• A cultural counterpoint to housing and administration
• Public life as a designed experience